Oisin Daly has been producing under the moniker Obamabo for 8 years now, but little did he know that the obscure ‘The Simpsons’ reference (Oboe ma boe, a palindrome pun with the spelling of the the relatively unknown Illinois senator), would end up sticking. Nor that the senator would become president and that he would end us living in the US.
Nevertheless it stuck for better or for worse (especially when the Obama’s adopted a dog and named him Bo, effectively making him second on all social media and google searches to the first dog).
Since then he has moved permanently to Savannah from Ireland and has released a number of EP’s, including the acclaimed (In Ireland at least) ‘Love is a gift’ and the Peruvian themed ‘Uku Pacha’, which was launched at Graveface Records back when they could still have shows.
Since then Daly has been busy working with local band ‘XuluProphet’ and on his Dub reggae project ‘Colonial FX’,
which included him playing festivals back in Ireland last summer including Electric Picnic, a 51,000 person festival featuring the likes of Blur, Jurassic 5 and Tame Impala to name but a few.
He has also been busy fostering the electronic music scene here in Savannah, founding Low Country Oscillations whom regularly host alternative electronica nights in The Wormhole,
aswell as being instrumental in running the LCO stage at Kittenfest a year ago which showcased 3 straight days of local electronic music in the swamp.
Recently he was the main producer for Valore’s EP ‘Lizard Girl’ and has done remixes for many prominent local acts including Hip Hop artist Miggs and Indie rock band Street Clothes.
Posted: April 10, 2016 in Uncategorized
OBAMABOT robot music | ACID TED
OBAMABOT robot music
Obamabot is Oisin Daly based in Savannah, Georgia. Here’s an album’s worth of his own stuff as a mixtape. The mixtape manages to span a range of electronic genres from the opener’s IDM-style robot music with anxious samples to something that becomes almost post rock drum and bass. It’s an interesting album not only from the styles it collects along the way but also because of the pace of the thing and the intricacy of each track.
Oisin Daly is an Irish musician and electronic producer hailing from the town of Eyries in West Cork. He’s been quietly publishing his own music, spanning multiple genres and under a variety of monikers since 2009, and since moving to Savannah Georgia in 2013 he has been continually upping his game and pushing his own boundaries with each release. His latest LP is an expansive work that builds on his previous releases, culminating in a mature and focused album that melds a wide palette of influences in a very impressive electronic release
Oisin Daly is one busy guy, you can usually catch Oisin downtown doing any number of things involving music. Oisin can be seen playing guitar for his band Xulu Prophet on a pretty regular basis, playing laid back jams based around blues, funk, reggae, and rock. Xulu Prophet literally does a little bit of everything. It wouldn’t surprise me if I walked into one of their shows and they were playing some barn-burning country music. Like, I wouldn’t even flinch. It’s always been a pleasure to share the stage with these guys, and watch them grow over the years.
But there’s a whole different musical side to Oisin, and he has managed to make one hell of a mixtape/album out of it. The sounds on “OBAMABOT” are as varied and diverse as the band he plays in. And in some ways…even more so.
The focus here, is blending traditional instruments, with electronic music. Oisin has told me that some of these song ideas are new, and others date back years. So it’s safe to say that “OBAMABOT” has been in the making for a while.Over the years plenty of artists have attempted blending organic instruments with EDM . Sometimes it works, sometimes it doesn’t.
“OBAMABOT” kicks off with some psychedelic electro dissonance, with a sample regarding technology, and how it affects us. It sets the tone for what youre about to get yourself into.
Everything kicks off with a elaborate track that builds, using drum and bass beats and an absolutely rocking bass line a la’ The Chemical Brothers or Crystal Method. Electric and Acoustic guitars compliment the mix. Like i said before, sometimes this kind of thing works, mixing organic instruments in, and sometimes it doesn’t. In this case it most certainly works! This will continue throughout the mix. The track ends with an awesome, off the wall, drum breakdown that makes for a great bookend to lead into the next track
I could sit here and talk about things track by track, but i wont. I would rather give a firm salute to the fact that Oisin manages to not follow any particular genre of electronica. He takes bits and pieces from everything. There are Trance beats, breaks, hints of Industrial, and some of my favorite moments are the down-tempo songs. In the down-tempo moments, there is either a firm melody, or a full on washout of atmospherics. Personally, I think this is where Oisin shines. The hard banging intro is great, but I thoroughly enjoy some of the lighter moments.
One of those moments happens at almost forty minutes into the mix, where Oisin blends guitars, with some amazing saxophone playing (played by Denton Schulz) . This is the stand-out track for me, and I actually found myself going back to that track over and over. It reminds me a lot of techno geniuses Orbital, or U.N.K.L.E
There’s some voice samples, which as a personal preference…I don’t care for. But they are used tastefully, and never to excess.
The production is top-notch. It would seem that Oisin is a pefectionnist when it comes to mixing and mastering his tracks. Ive listened to “OBAMABOT” on a regular stereo, and then put it to the test with my studio monitors. One of the most impressive things is Oisin’s ability to layer so many sounds, and it never sounds crowded or over-bearing. The cool thing about that, is that I notice something different upon each listen. Maybe a keyboard tracks wayyyy in the back that I didn’t hear before, or an arpeggiated lick that sits in the beat. This makes the re-listen value high. There is always something new to discover.
With all of that being said, “OBAMABOT” isnt going to be for everyone. It’s very eclectic, and lots of people just simply cannot appreciate instrumental music. I only have minor nit-picks regarding the album. Sometimes it becomes a little disjointed where i think it should flow together a little better.These moments are few and far between. But Like I said, a minor nit-pick.
Overall, this is a great effort. And to be really appreciated, I suggest you kick back with some headphones, and listen to it from top to bottom at least one good time.